Where The Brightest Minds Have The Darkest Corners
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Review: Our Magnificent Bastard Tongue: The Untold Story of English

by The AOMuse

Our Magnificent Bastard Tongue: The Untold Story of English Our Magnificent Bastard Tongue: The Untold Story of English by John H. McWhorter
My rating: 4 of 5 stars

John McWhorter can be an aggregation of uncomfortable political opinions. We first became familiar during my early days listening to his appearances on News & Notes with Farai Chideya until its cancellation (Boo NPR!). His commentary could later be found Tell Me More with Michel Martin where he was also a frequent contributor. His flagpole leans right with a fair minded independent streak. If I am honest to a fault, I can stomach his punditry far more readily than his fellow black conservative and NPR guest contributor, Ron Christie, but I digress on that point.

I only make note of this because it feels strange when you encounter a political pundit in his other professional capacity. You are then forced to wrangle with the idea that you won’t be mentally jousting in the same manner in the space of this present engagement as you had done previously. The whole experience can be disorienting.

Imagine my surprise when I discovered that McWhorter was a trivia hound. This text is a masterfully crafted and eclectic mix of humor, satire, intellect and English language history that would make a starched shirt student of any lazy Anglophone linguist. As if he were the star attraction at a faculty mixer, McWhorter makes the debates occurring in the Academy as interesting as any element of pop culture.

He maneuvers deftly through such topics as the cross lingual pollination of English with Welsh rendering us such aspects as the meaningless “do”, the invasion by the Normans which layered classical French terminology in our formal speech and the understanding that language is a fluid and formless creature living more readily in the mouth than on the page.

Along the way, I laughed, became dreadfully bored, rubbed my chin in contemplation, stoked the humble flame of my curiosity and committed myself to engaging some of the other works of English philology which McWhorter had dismissed. He reminds you that language is a perfectly fascinating subject when you stop and ponder all of the tiny little complexities it creates.

Where is language created and if a language is not recognized, is it rendered invalid? If the latter question is “yes”, then English would have been destroyed when it was initially restricted in its written form. Does that create a justification for reconsidering colloquialisms and black vernacular as a standard “language”? There is much room for debate.

This level of inquisitive thought is what makes John McWhorter’s work such a perfect foray into the study of language or even the best single text available for someone who wants to be conversant in a few major questions that are presently being explored within the field of philology. I can’t promise everyone that they will make it through to the end.

When he began to lay out language tables and compare verb conjugation across Spanish, Dutch, Old English, and Nordic dialects, the book and I fell asleep in each others arms, but it was one of the most rewarding sleeps any book has ever granted me. I now know that I am not supposed to understand Pablo Neruda even when I read his work translated and it is all thanks to John McWhorter.

There were other such odd queries that occurred to me while reviewing the text and I leave you one such note as offered to my colleagues on Goodreads in updating my reading status for this tome.

I am failing to recall the moment when I first encountered the notion that humans think in pictures and then translate those pictures into words. I notice now that we further strip the words of all material meaning and later come to think only in words. Therefore how much of what you think you know about anything is merely a consequence of the construction of the language into which you were born?

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Africa Is Not A Country by AfroFaerie

by The AOMuse

In his freshly-waxed
Volkswagen Tuareg
And calls it 
"Getting in touch
With his African roots"
      She wraps her head in 5 dollar a yard kente
hand-woven galabiya
straight from
the motherland
skirts flow like the Nile, but
the label on the back
says
Made in China
    Africa is not a country and Ethiopia is not the capital
    See he’s got
Tribal roots, like
Bedouin 
So, shoot, he better win
Tomorrow night’s b-ball game
Cuz he done paid that
African voodoo lady
$50 to cast
A good luck spell on him
    preaching peace in the middle east and philanthropic efforts in naija you were the same one whos saliva stuck on my lips as you spat "African Booty Scratcher" at my "dirty african face"
   i tasted blood
  on the lips I share with baba 
  whos grandfather was the brother of yours
  seperated by ocean theyre connection died those long days over the atlantic
  those were the days unity died those were the days you and I were destined to meet on a playground in Northeast "so you be chasin lions and shit huh?"

  Africa is not a country and Ethiopia is not the capital
    Isis 
Tatted on his neck, and so
He claims Kemet as his homeland.
Despite the images emblazoned
Into his misled mind
Of fair-skinned 
Phoenician Pharaohs 
"Wait, you mean Egypt’s in Africa?"
      "If your African how come you got pretty hair?"
  "How come you ain’t got a plate in your lip?"
    First day of
Junior high, teacher proudly flaunting
Her newest token
Of internationality
"Say hi to Safia, kids
She came all the way from Africa"
              What you know about
Being the only brown child in a classroom of Caucasian faces
That turned to stare every time
Marcus Garvey or Nelson Mandela was mentioned
Like he was my second cousin or something
"So the black people came all the way from Africa on a BIIIIGGG ship, is’nt that right Ade?"
      Africa is not a country and Ethiopia is not the capital
                  And when I don’t
Arrive, fully costumed
Cowrie shells and mudcloth,
I’m told
That I’m losing touch
With my tribal roots
(We’ve discovered denim in the motherland, folks)

Refugee girl, child soldier
Pitying stares and gasps
When lips part and declare
Sudanese nationality
"You mean like Darfur?"

  "Oh but I thought you was regular black"
              5 foot 10 of
Ebony, wide nose, full lips
But wait…
5’3, caramel
(or, you know, like coffee when you put some half-n-half in it?)
Slim frame and wild curls…
  Y’all can’t both be african
                See what I’m tryna say is
Sahara is not
One of the Pussycat Dolls
And
You don’t get Kilimanjaro
By mixing vodka
And lime juice
                  How can nations drenched
In history and vivid culture
Be reduced to cities?
And a continent
Tattooed with struggle
And bathed in diversity
Diminish
To a country
  Called Africa


True Love For The Culture Album Release Party

by The AOMuse


Listen To The True Love For The Culture Compilation Here

What do you create when you combine one of the loves of my brief Life, Tigi Nii, with her own undying devotion and love for the people particularly the young people? You create a brief, yet potent compilation of artists who have come together out of their mutual love, respect, and admiration for the youth to give voice to messages that were felt might enrich their souls and stimulate their minds.

The plan for the project is that it will be distributed both locally and nationally directly to youth and organizations that work with youth in a mission to spread the message in the music. The website listed above features not only each of the tracks included on the compilation, but also the method of contacting Tigi in order to obtain FREE copies of the compilation CD and its associated chapbook for your organization. The chapbook includes the lyrics to these magnificent compositions as well as bios of the feature artists and a closing message from each artist to the youth.

On Saturday, August 25th, the release party will be held at Mercury Café located at 1505 W. Chicago Ave. at 7:30 pm. The project will feature Zenif Be.P, Camil Williams, Tekhen, Karega Ani, Veronica Bohanan, and e.nina.jay. In addition to the poets and MC’s already featured on the project, the release party will feature the highly talented all female live band, Molly Sue Africa. Now I was only blessed to have a single rehearsal date with these sisters, but the way they pulled together the improvisation of my backing track for this session was nothing short of marvelous.

For those who have never heard me reference myself as such, I am the artist featuring as Tekhen on the track with Karega Ani, a brilliant artist out of

Detroit and if I may make a modest claim, the track is something extraordinary. If you are in the

Chicago
area, check in to this event for some dynamic performances and find out how you can assist with sending this injection of love out to the heart of youth where it is sorely needed.

Peace!

Mikey ~ Tekhen ~ The AOMuse


Dance: The Cure For What Ails You

by The AOMuse

Summertime in Chicago is known for many things. Increased traffic as folks who stowed their convertibles for a harsh winter now bring them back to compete for lanes on Lake Shore Drive. The unusual notion that you are simultaneously delighted and disgusted at the daily beach report which outlays the level of bacteria that is present in Lake Michigan and determines the beach going behavior of a careful few. Never to be ignored, forgotten, or disparaged are the profuse number of neighborhood festivals held throughout Chicagoland.

If you have been aware enough to attend any of those festivals that are held in Chicago’s downtown area, you may have come across an ingenious little event known to we Chicago natives as the Summer Dance. A festival brought about to celebrate low cost Sangrias, live bands from every musical genre, and the joy of people dancing on a hardwood dance floor with just enough alcohol in the blood to prevent you from talking yourself out of a good time.

I was once quoted as saying that we could cause a movement of peace across the planet if we promoted this concept worldwide. Pretentious attitudes tend to melt away when a crowd of onlookers are worked into a rhythmic frenzy during a jam session by the Chicago Afrobeat Project, Funkadesi, or Kokolo. There is also no shortage of opportunities to learn to move with other styles to which you are not yet accustomed. If you are a brave soul, come out to Grant Park, throw back one of those $5 Sangrias and find your way to the dance floor. You may find kindred soul in rhythm such as myself. As the old mystic aphorism goes, it is only when you lose yourself (in the rhythm, some forget that part) that you will find yourself again.

I must graciously thank Ms. Ashera and Ms. Elise for attending this year’s festivities with me. They were very capable of handling themselves on the floor since I occasionally become quite intense. I must also offer my thanks to that sister with the short cropped cut who rocked a tank top and a full length blue jean skirt whose Ebon complexion evoked all sorts of emotions in me beyond the dance floor. I am quite sorry the excitement caused me to miss your name. I experienced a physical rapport with you in that moment that was unable to be matched for the remainder of the evening. Respect!


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